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Love, and other Country Charms
Can a simple country life help one forget about one's worries? According to Sir Walter Raleigh and William Carlos Williams, it might not be quite enough. In comparing the imagery, setting, and structure of "Raleigh was Right" and "The Nymph's Reply", it becomes apparent that both poets are suggesting that love, like pastoral country charms, doesnt last.
The imagery used in these two poems suggest that the pastoralBuy love term paper
charm of country life is no more charming than the everyday. The
charm withers and dies as life, and love, always do. Raleigh makes good use of diction in the second stanza, using the word 'philomel' to describe a nightingale. This shows us the Nymph is no simpleton, she is literate, and perhaps well read "And Philomel becometh dumb; the rest complain of cares to come." (7-8). The Nymph continues to talk about fading flowers and winter reckoning, again lending to the image of constant change andcreating a cold, fleeting feeling, perhaps not unlike the Nymphs attitude towards the shepherds pleas.
While reading "Raleigh was Right", Williams creates for me an
image of times-gone-by. He uses the pastoral tradition, but
questions it every step of the way, questioning even whether
such times existed. Willams' nymph lists different country charms and
asks how they could possibly bring the shepherd and herself any peace What can small violets tell us that growon furry stems in
the long grass among lance shaped leaves?(-5). The two poems effectively use imagery to show how life changes with the seasons, often becoming cold and desolate.
In comparing the setting of these poems, it seems clear that both
poets are suggesting that the bad days often outnumber the
good ones. Raleigh begins his poem with an if. If the country
were as charming and peaceful as the shepherd suggests,
then maybe the Nymph would be swayed to come to the country,
to be his love.Alas, this is not to be because, as the nymph replies, the country could not offer such peace of mind. Answering Marlowes poem, Raleigh uses the same examples of country charms, but tells why each one could never bring the peace the shepherd was offering "Thy belt of straw, thy ivory buds, thy coral clasps and amber studs, All these in me no means can move, to live with thee and be thy love"(17-0).
Raleigh effectively uses the same setting as Marlowe, off in the country somewhere. However, Raleigh sheds the setting in a different light. He does this by creating a sense of uncertainty. In contrast, Marlowe created a sense of security for within his poem for the nymph. In "Raleigh was Right", Williams begins his poem with we cannot.... Immediately the setting is away from the country, looking in from a realistic point of view. Again, Williams presents many reasons why the life promised by the shepherd couldnt possibly be. In the second stanza, Williams calls into question whether such peaceful country days ever existed by exclaiming "long ago! Whencountry people would plow and sow with flowering minds and pockets at easeif ever this were true." (10-1). The setting of these poems suggest that the nymph sees a more realistic view of country life that Marlowes shepherd was not willing to share.
The internal structure of both poems differ, but each
geared towards convincing the shepherd that country life isnt
as easy and carefree as he is suggesting, and that the love he seeks won't be either. Raleigh answers Marlowe's poem by using a list to formulate his argument against the shepherd's pleas, not unlike the list Marlowe created in his poem, to persuade the nymph. Raleigh lists the pastoral charms, and denounces them as never being able to bring such peace Thy gowns, thy shoes, they beds of roses,
Thy cap, thy kirtle, and thy posies, soon break, soon wither, soon forgotten; In folly ripe, in reason rotten(1-16). Here, the Nymph is saying that the shepherd is foolish if he believes such mundane things could bring her peace. She sees no reason for her to believe him.
Williams differs in his approach in letting the shepherd know why the Nymph is far from convinced. Rather than use the same list as Marlowe or Raleigh did, Williams uses a descriptive structure to show the shortcomings that country life might offer. In stanza two, he describes what country life may have been like at one time, and in stanza three, goes on to describe how the nymph sees love blooming on the country plains. That is to say, nonexistent "Not now. Love itself is a flower with roots in a parched ground. Empty pockets make empty heads." (14-16)
Just as Raleigh did, he questions how such country charms could possibly bring peace of mind. The internal structure of these poems clearly suggest that love cannot be assured in an uncertain, perhaps unrealistic, country lifestyle.
In conclusion,Raleigh and Williams have answered a resounding no to Marlowes shepherd. Furthermore, Williams' uses 'us' throughout his poem, suggesting that he thinks such unfounded pleas are useless for anyone to listen to, not just the nymph. Both poets use the imagery, setting and structure effectively to tell the shepard why country life isnt so charming, and as a result, why any love between them won't bloom. The reason for the Nymphs reply then, is that love doesnt last, and country charms arent a good enough reason for her to move to the country and be his love.
Works Cited
Raleigh, Sir Walter. The Nymphs Reply to the Shepard
The Norton Introduction to Literature. 8th Edition. Eds.
Jerome Beaty et al. New York W.W. Norton & Company,
00, 1145-1146
Williams, William Carlos. Raleigh Was Right
The Norton Introduction to Literature. 8th Edition. Eds.
Jerome Beaty et al. New York W.W. Norton & Company,
00, 1146-1147
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