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Our staff of freelance writers includes over 120 experts proficient in What constitutes an African American Writer, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your What constitutes an African American Writer paper at affordable prices !Blueprint for Negro Writing by Richard Wright (17) defines the role of Negro writing after the Harlem Renaissance.Wright suggests that Negro writing should first be "a sort of conspicuous ornamentation, the hallmark of achievement;" and, second, it should be the "voice of the educated Negro pleading with White America for justice" (66).In defining what constitutes a Negro writer, Wright explains how the Negro writer may be influenced in expressing himself or herself.Wright states, "the Negro writer has lagged sadly, and as time passes the gap widens between them and their people" (66).This gap produces writers whose creations are based on the approval of white America writing that does not represent the Negro community and institutions such as the Negro church and the folklore of the Negro people.W.E.B DuBois, in his essay "Criteria for Negro Art" expressed, "the white public today demands from its artist, literary and pictorial, racial pre-judgment which deliberately distorts Truth and Justice, as far as colored races are concerned, and it will pay for no other"(Locke 854).Wright parallels this argument to W.E.B Dubois by pointing out, "rarely was the best to this writing addresses… the needs, sufferings, and aspirations; and through such misdirection, Negro writers have been far better to others than they have been to themselves."According to Wright a Negro writer's goal is to "depict Negro life in all of its manifold and intricate relationships, a deep, informed, and complex consciousness is necessary; a consciousness which draws for its strength upon the fluid lore of a great people, and molds this lore with the concepts that move and direct the forces of history today (6).
The Negro writer has mirrored his thoughts in aims of pleasing white America.As Wright points out, the writer must realize his role as that of creating "values by which his race is to struggle, live, and die" (6).Langston Hughes in "The Negro Artist and the Racial Mountain" echoes this sentiment by writing, " there lies an American Negro artist who can escape restrictions placed upon him, and explore the vast field of unused material for his art… exploring his racial individuality, his heritage of rhythm and warmth, and his incongruous humor" (Langston Hughes).Wright suggests that the Negro writer, "should unify his personality, organize his emotions… which will lead to freedom in thought and feeling for the writer" (70). Sadly one is presented with the concept that being Negro and expressing his or her true thoughts is worthless.The Negro artistic creation is assumed to be inferior by whites because it is not simply about the aesthic beauty in such works of art.The Negro writer remains virtually unknown until one has gained the approval of publishing houses ran by white America.According to Langston Hughes,African American communities are not lacking great authors. However, it takes titles being mentioned on a best sellers list created by a media dominated by white America, before members of the African American community will accept such authors as worthwhile writers. The Negro writer should have the soul and ability to express himself or herself freely.If such works are filtered through a white or damaged lens, a true depiction of African Americans cannot be reached.
Wright seeks to explain that the writer must draw from his own personal experiences, not to be dictated by white America.This is achieved by incorporating African American culture, creating works that soundly voices the Negro's way of life.Wright parallels this argument to Langston Hughes' in "The Negro Artist and the Racial Mountain" who asserts,
"we younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame.If white people are pleased we are glad.If they are not, it does not matter. We know we are beautiful and ugly too.The tom-tom cries and the tom-tom laughs and if colored people are pleased we are glad.It they are not, their displeasure does not matter either.We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves" (Langston Hughes).
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BIBLOGRAPHY
Locke, Alain. "Bound No'th Blues" W.E.B DuBois Debate on the Theory of Black Art.
McGee, Art.Langston Hughes' "The Negro Artist and the Racial Mountain". June 16.Brc-news@listo.tao.ca (15 March 000.
Wright, Richard."Blueprints for Negro Writing". 17
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