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Our staff of freelance writers includes over 120 experts proficient in "The basic elements of romance never change. We watch these movies because we are interested in the characters and the dialogue.", therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your "The basic elements of romance never change. We watch these movies because we are interested in the characters and the dialogue." paper at affordable prices with cheap custom writing service!Admitting the truth of this statement may be hard for many who class themselves above the 'soppy' romantic movie-goers, and wish to extol the seeming fact that Romance movies never change not the basic elements, and not the characters or dialogue. This statement "The basic elements of romance never change. We watch these movies because we are interested in the characters and dialogue." may seem like a sweeping motion of defence for romantics. Yet displeasing as it is to admit as such, contains truth of a most solid nature. The basic elements of romance will never change. Two people who fall in love, overcoming obstacles, relying on fate, outrageous fortune and amazing coincidence to bring them together. Then there are the other love interests, spurned partners, great misfortunes, humour, and symbolism (often disguised as the work of 'fate') thrown around with ludicrous abundance. So, what draws people back again? Obviously the human patience can stand only so many of the same romance movies, therefore it must be the differing characters, dialogue due to setting, and of course the circumstance, which creates a continued interest in the Romance genre.
"An Affair to Remember" and "Sleepless in Seattle" both belong to this same popular genre Romance. So how is it that society hasn't yet tired of the 'same old stories'? Simple; the wide chance for change in the situation, characters, issues, and language, gives the director new story lines and topics to work with. So, although the basic elements of these two movies never change, the director creates interest for the viewer in the differing characters, and dialogue according to situation.
First of all, a Romance movie cannot be made without the two people to create a love interest. In both "An Affair to Remember" and "Sleepless in Seattle" it is a case of 'boy meets girl' romance. Now, say 'boy meets girl' to anyone, and they will reply with the inevitable continuation 'fall in love, have problems, then get married.' But, even though the inevitable plot line is the same (marriage may not be in the stars for all, but it is assumed), the characters change. In "An Affair to Remember", the man is a suave, popular womaniser who is soon to be married to a rich heiress. "Sleepless in Seattle" creates a man who is a widower with a son, hopelessly out of date with the modern rituals of dating, but relatively well off. The roles and character of the man change with the times and situation. The only reason people will watch both movies, although they are both romance movies, is because the different characters create a new interest in the situation. If there were no difference, no one would need to bother watching both. The female figures are also different. In "An Affair to Remember" 'she' is a beautiful, clever and witty woman from a poor background who has a 'patron' of sorts, who helped her to 'sort her life out' and who presumes that they will get married. In "Sleepless in Seattle" 'she' is an attractive, bright and happy person, relatively well off, engaged and obsessed with the idea of the 'magic' of love. Both are obviously distinguishable from each other and as such our interest in both movie's is caused through interest in different characters and their particular situation.
Another important element of the romance is the spurned love interests; put aside whether they like it or not because of this new, 'true love' their partner has found. The respective partners from each movie could not be more different. In "An Affair to Remember" 'her' partner is the man who loves her, 'reformed' her, and gave her the chance to live in high society. "Sleepless in Seattle" chooses for 'her' someone she is willing to marry, who loves her, and has numerous allergies. The difference in the slighted partners may be minimal, but as in both movies they have little screen time (apart from an appearance to inspire an obligatory built trip), the difference in their characters is great enough to cause interest in their different cases. The man in "An Affair to remember" is, or was until he met the 'her' of the movie, going to marry a rich heiress who is obviously much enamoured with him. In "Sleepless in Seattle" the man's first wife, who he very much loved, is dead. Then he gets a new love interest in the form of a woman with an annoying laugh, whose manner is overbearing, but at least she's trying. The difference is again, minimal (apart from the deceased wife to the living heiress), but both women are different enough in attitude and personality to create an interest in their individual situations.
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Yet, in every romance there is something that strives to keep the lovebirds apart, much to the cheer of every hard-hearted, romantic-movie-hating, self-made cinema-taste critic. Usually something which cannot be accounted for beforehand or predicted in anyway, called a 'tragic accident', comes between them and their happiness at a mutually appointed time of bliss. And perhaps as coincidence, perhaps as tradition, in both "An Affair to Remember" and "Sleepless in Seattle", it is the woman who runs into some misfortune (because of course, it would do no good to the man's image to end up in a weakened position). In "An Affair to Remember" the man waits at the top of the Empire State building for her, while she rushes to meet him. Then, in an unfortunate turn of events, a car hits her leaving her paralysed, and he leaves later that stormy night without ever knowing what had happened. In "Sleepless in Seattle" we are treated to much the same thing, because the woman in the movie uses "An Affair to Remember" as her inspiration, and wants to meet him at the top of the Empire State building. Of course, he gets there first and she runs into traffic problems with her taxi. The similarity between these two circumstances is amazing, but predictable, due to the fact that "An Affair to Remember" is the woman's inspiration in the movie. Yet, it is this similarity which serves to highlight the difference between the characters of each movie, and the way they react to the situation.
Every romantic movie must not, of course, ever be without it's very own mother-load of fate, fortune and coincidence to influence the characters in their quest for love, as well as symbols to help light the way. Co-incidence plays a large part in bringing the characters together in "An Affair to Remember"; a cigarette case stealing the spotlight for bringing the two together, accompanied by a chance sighting at a theatre, and connections concerning a painting. While an emotive shawl, the Empire State building, cigarette case and painting are just a few of the symbols used. "Sleepless in Seattle" features a chance hearing of a talk radio show and passing by within feet at a busy airport, while a ripped wedding dress, and a pilfered movie line fulfil the role of fate's symbols nicely. Difference in coincidence and character situations cause a continued interest in the movie of this case. And as modern movie-goers see coincidence as the results of fate's intervention, there will never be any lack of it in the romance genre. Especially when people like to believe that something is watching over us, and that there is the 'one true love' somewhere out there for every one of us.
Symbols crop up everywhere in romance movies, and in more modern ones, usually accompanied by a gasp and the line "It's a sign!" Yet because the characters, the time, and the setting are different in each romance movie, the symbols must be adjusted accordingly, and make sense in each of their different contexts. "An Affair to Remember" makes use of an engraved cigarette case to bring the two potential love birds into each others eye. Perfect for the situation and characters because the movie is set in a time when it is extremely fashionable to smoke and have a cigarette case. The fact that it is also engraved by another woman while he meets his 'new love' may also be a symbol of things to come. Now, this would never happen in a more modern movie. The offer of cigarette would most likely introduce the line "I don't smoke." And they would barely see each other again. Not a good start for a romance. Symbolism in any sort of movie is usually attributed to fate so when, in "Sleepless in Seattle", her wedding dress rips out comes the gasp, the line, and immediately her love for her current interest is jeopardised. The fact that fate may be warning her seems obvious to only her in the movie, yet also almost everyone in the movie cinema. The fact that she didn't believe in 'fate' until that very moment does no longer seems to matter. She now totally and utterly believes in it, and nothing will stop her from trying to reach her true love. This is totally and utterly also contrasted with the approach of the woman in "An Affair to Remember". She is organised and in control of her life, and although fate does intervene, she resumes her control after the accident, and sets about organising and helping again. The lack of faith in fate by one woman who comes to fully believe in it, and the assured acceptance of fate by the other who never acknowledges its existence, shows a contrast in character, which creates continued interest in their different situations, and thus, each separate movie.
Dialogue has always been something, which, without cease, has annoyed anyone going to see a romance movie. Their complaint is simply that the characters all say the same things. Yet, this certain genre must have a special consideration applied to it. Exactly how many ways are there that you can say the basic line "I love you", or "It's a sign", or even "I can't live without you". There are only so many variations you can have of each without getting into the ridiculously verbose stage of script writing, which sound awkward and unnatural. The complaint that all dialogue is the same, is a moot point when you take out all examples that are virtually impossible to change. Taking this into consideration, the dialogue widely varies between each and every movie in the romance genre, because each and every character's situation and personality is a unique creation. Humour is also a constant, because life cannot be lived without humour in everyday situations, and the average person likes something to be funny, and something to laugh at. Hence, the humour in a romance (and almost every other) movie.
So it is true. The basic elements of romance simply never change, nor will they ever change. Without them, in fact, the movie would cease in its existential romantic state. So it is also true, not just as a converse or 'therefore' but on its own proven fact contained within the words above, that the continued interest in romance is created through different characters and dialogues due to their situation and circumstance. How else could we explain away the people that will pay to watch, in essence, a movie that they've already seen? No other way than to state the plain and simple fact that those 'softies' and 'soppy' people often called the more proper 'romantics', are right. That is why there is continued interest. And it may be seen that as such, they may openly sneer upon the 'hard hearts' and 'masochists' as they delve into their own category; action.
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