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16-, American ballet dancer, b. Long Island, N.Y. Villella studied at George Balanchines School of American Ballet, joining the New York City Ballet in 157. He soon became a principal dancer with a large repertoire of roles, most notably The Prodigal Son. Villellas dancing is remarkable for its tremendous vigor and dynamic style. He served as artistic coordinator of the Eglevsky Ballet (17-84) and as director of the Oklahoma Ballet (18-85), before founding the Miami City Ballet in 186.104-8, Russian-American virtuoso pianist, b. Kiev. Horowitz studied at the Kiev Conservatory. After a Russian debut at the age of 17, he appeared with overwhelming success in Berlin and Paris in 14 and made his American debut with the New York Philharmonic in 18. Possessing remarkable technical virtuosity, he soon became one of the most popular pianists in the United States. Unlike contemporary pianists, he was willing to interpret the music independently of the composer. In 1 he married the daughter of Arturo Toscanini and settled (140) in New York City. Horowitz gave few recitals after 15.
186-64, American songwriter and composer, b. Lawrenceville, Pa. His pioneer family was aware of his talent for music, but not understanding it they provided him with little formal musical education. Fosters knowledge of African Americans was drawn from minstrel shows, particularly E. P. Christy s troupe, for which many of his songs were written. Because of their utter simplicity, his black dialect songs are often thought of as folk music. Feeling that prejudice against these "Ethiopian songs" existed, he was at first unwilling to risk his reputation by having his name appear on them. He had little aptitude for business, and his income was never commensurate with the popularity of his songs. Excessive drinking and extreme poverty ruined his last years. He died in Bellevue Hospital, New York City. Although his work was occasionally banal, the songs that have remained popular, such as Oh! Susannah (1848), Camptown Races (1850), Old Folks at Home (1851), My Old Kentucky Home (185), Jeanie with the Light Brown Hair (1854), and Old Black Joe (1860), are unpretentious and genuine.
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